CD from Another Timbre. Contemporary Music performed by a string ensemble. Unusually, I didn’t find this one via Hear And Now on BBC R3 but a mid-week show on the same station Late Junction.
The pieces that attracted me arenthe seriesnthat make up Warblework. The four sections that make up Warblework are developed from recordings of songbirds, specifically Thrushes. The tunes are very complex and somewhat atonal to my ear. The recordings in this set seem to have all the ingredients of music that will last for extended listening. It’s a feeling of a puzzle to solve.
You my listen to this and find yourself listening to birds in a new way. It’s a shame though that Thrushes are so rare in England now. They were quite common when I was a child. So common that they were one of the first birds I learnt to identify. Thrushes and sparrows are now quite scarce, especially the former. Much of the decline is attributed to slug pellets that gardeners use. Poisoned slugs poison the birds that feed on them. Not enough people know this. Dig a pond instead!
Recovering from a particularly stubborn cold, so I plodded in on the hack bike to town. Google lists 2 record shops which I fancied a browse. You get the best out of shops like that if you get to know the staff. The best ones will find records that think you’ll like. Today, both shops were shut. I’ll try again on Saturday.
I ‘bobbed into’ a couple of second-hand shops too. They were friendly places, one guy offered to make tea and made it clear that the offer was open to customers too.
As soon as I got home, I took fastballs out to the garden feeder, a sudden bursting flutter from the end of the garden is not familiar. The heron is back. That’s a very big bird to land in my garden, and a big bird to take wing to escape. It escaped between two houses heavily gaining altitude. How to Use protect my much loved frogs? Maybe a net over the pond? I’m not using anything that could injure that magnificent bird, but at the same time….
4°C dry and sunny.
Drive south to collect stuff for my new house. The wait should be over early next month.
Music has meaning again. During the ugliest most stressful stage in my last job, I would listen to music. But it had lost something. I no longer got the shivers. My senses were dulled so much by the accumulated tiredness.
Anyway, I drove home with the iPod set on shuffle. It seemed to be in a good mood. It played interesting tracks with hardly any need to skip any. Even the difficult types of music showed its magic. Fred Frith came up a good few times as well as Zena Parkins.
I have only bought a few discs in the last 12 months but the desire is coming back. Hurry along the time I can set up my stereo.
Olafur Arnalds, a compilation album on 80g vinyl and packaged very nicely.
Most remarkable is the sound quality. Perhaps there is something in the technique of mastering at half speed. Small details in the music are vivid. Stunning.
Brian Eno: The Ship, double LP.
The record player is working again. No fix from me, it’s an intermittent fault. I suspect a poor connection to the motor. It uses a 2 phase regulated supply from a built in circuit board (Valhalla). The fault must lie there.
First play sounds good for late evening listening.
5°C, heavy rain, this morning’s flooding is the worst of the winter here.
Hear and Now – Donaueschingen Musiktage 2015 – @BBCRadio3 “>
Remember how entranced I was by Hans Abrahamsen’s Schnee?
Here is another: Georg Friedrich Haas. It’s the yet unreleased Trombone Octet played on the radio last Saturday.
Full of space, the clean sound is under precise control and unwavering harmony. It times you in the opener, it sounds like school kids playing rather badly. Then it rights itself.
Georg Friedrich Haas
I want a hard copy, but from where?
7°C, storm Imogen is still a force.
first impression: It might be a new release, and it may sound ultra modern in parts. But the first compositions were written in the1600s.
We’ll see how this one grows in my esteem.
Listening to music has snowballed this winter. Having bought nothing last summer, the contrast is great. Now, more than one disc arrives in the post each week. More than I can keep up with really.
The iPod is an invaluable tool in digesting new music. The poor thing does need a repair however; the battery is exhausted. Add to that the car as a valid medium to listen and familiarise myself with new purchases.
I enjoy buying and listening to music. It’s one of the constant pleasures in my life. It about changing my mood, illustrating phases in my life and stretching my mind.
It’s not often, however, that I feel as elated with a new find as this. I didn’t know music could do what this composer does with normal instruments.
Fred Frith modifies his instruments with objects, plays ordinary guitars in strange ways. But what Abrahamson does is entirely different. It’s all in the composition, I suppose.
I have been lifted out of the ordinary by this.
Several occurances have met to enable this find. My new DAB radio means I play BBC Radio 3 most days. The car has a bluetooth and DAB stereo system which works well with my phone. Then, there’s the BBC iPlayer app. All that has led to this almost magical find, a bright lights shines out in my collection.
All this effusive talk and the CD hasn’t even arrived yet. The online shop allows immediate download once you have made your selection and purchase. So here I am, familiarising myself with a new record that is still in the post.
We had a discussion at work yesterday where I wanted a word to express the convergence of the above events that lead to this music in my collection. The best word is probably: synchronicity
I have used this iPod every day since 2009. Back then, I bought it as an upgrade on the iPod Mini when it ran out of space.
It’s the penultimate version with 120Gb of storage. I like it so much that I will take it to an Apple shop for a service.
The battery only holds charge for a few minutes. Otherwise, the device seems good. It’s only a hard-drive, a small display and a battery. I wonder how long the disc will last. Apple stopped making these a year or two ago. They still service the Classic however.
On the dock.
All solo piano, quiet, very close miced and measured in feel.
The cover explains more. The piano he used is a custom built instrument made by David Klavins in 1987. It’s enormous, the longest strings are 10ft long. The blue diagram shows its layout.
As it’s played, other small sounds can be heard from the mechanism. That’s not unusual in piano music, but with Frahm’s style, those working sounds are more obvious. Space between notes opens your ears to the shape and construction of each key press.
The result is peaceful and deliberate. The same characteristics melt into your own mood,